THE ART OF WRITING

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Navigate to the left hand side of the page for different levels of my creative potential - thank you :)

Thinking in process.

Linguistic cognition, that brought Ludwig Wittgenstein into his broad studies on the usage of language, its practice in contextual reality, as well as naturally changing rules of the usage of a certain phenomenology of specific language, is a truly fascinating topic. In the rich history of philosophy of communication, meaning and sense making, as well as literature, theatre, film or/and science, writing, copywriting, but most of all independent thinking has always been the core of this not easy craft.

All content protected under copyright law. © 2015-2025 Karolina (Kala) Karmaza via (@kala_bennu) uk.linkedin.com/in/karolinakarmaza Navigate to the left hand side of the page for different levels of my creative potential - thank you :)

''Human beings agree in saying that they see, hear, feel (and even though some are blind and some are deaf). So they are their own witnesses that they have consciousness.'' - L. Wittgenstein

In our common and inter-related reality, where language sets the tone of our philosophy of culture, it is inevitable to notice its diversity of everyday embodiment of our intentions, doings, makings in the learning and development process in each and every unique creative lifestyle. This diversity enables those, who care to research for the deeper depths of one's own consciousness and/or its adaptable and pragmatic solutions of cognitive processes...

...to be continued...

Stereotyped logic, or making sense with ever changing content?

Ability to stay alert with fast paced thinking process coated in stereotype-free logic, where culture clashes lurk from every corner of the semiotic world, is a real challenge. Browsing through the history of thought, without discriminating philosophers, thinkers of the future literature, art, theatre, cinema or/and business, I still am more than happy to never give up on the exciting journey in our common discovery of cognition of meaning making.

If Franc Brentano knew, that Husserl's phenomenology will become modern basis for contemporary cognition of consciousness, then probably even Daniel Hutto and his ''Evolving Enactivism'' could have been considered to be the new generation of adaptationists in cognitive science. As Ezequiel Di Paolo emphases in his first serious book ''Enaction'' :

''Most of the underdeveloped areas within the enactive approach involve higher levels of cognitive performance: thinking, imagining, interpreting, the behaviour of others, and so on.''

I see plenty of potent space for my exploration of creativity through phenomenology, meaning and sense making, that is my very own addition to the basic argument, that Maturana & Varela introduced in their theory of Autopoietic systems. However, lower and higher level of consciousness is still in argument in the philosophy of mind, where traditional elaborations invite good old counter-intuitive logic. Nowadays innovative thinking collaborates with neuro-contracted minding, where phenomenon makes pure sense in the contextual or/and non-representational form...

...to be continued...

In the morning, just as usual when my fetched conscious claimed to be the righteous moaner of my everyday life, I decided to be happy. That morning, I decided to sit among listeners, readers and decision makers just to participate in my own independent reality. I expected nothing special, as well as I did not want to share with any amusing content. My neutral presence met with unexpected misunderstanding, and very soon some of the listeners, readers and decision makers became moaning about my appearance without inner state of mind. It was probably Saturday or Sunday when I nagged myself into another venture, and yet with much more courage that I would have ever expected. - Yes, I do see the reason for being human – I said to myself, standing right at the front of my unfinished painting – and I could not be bothered to be exactly the same as my painted blobs of consciousness. This is the language, that I decided to invent in the moment when I spotted an opportunity to explore new paths of minding - No, I am not crazy, I said to a person on the phone – this is a standard procedure, when you are noticed for all the wrong reasons, I guess, but never mind, I will bare it all, because I do not see any harm in freedom of speech. In the end who am I to forbid free thinking process in the form of creative elaborations, even if it is not I who does the talking. After an hour or so, being more than happy to continue exploring culture clashes in semiotics, I minded myself into more peaceful activity, that is watering plants.

My little garden grew nicely. Each and every plant exhibiting their glory in many petals and lovely flowers, the joy, that I could never refuse, even if someone paid me for hating nature. Yes, I can agree with gardeners of the world, that in the beginning there must have been something exquisitely magnificent, that started our common journey in the universe timing with unexpected miracles. My generous greenery proves it on a daily basis – we are sharing this world, and some of us are more sensitive than others. It takes some time to understand the nature of one's own intentions, as well as it does take more than one day to discover the potential of growth and development, even if in the nature of never ending and changing content making. As the decision makers and content creators will add something from their own neuronal networks, I let myself to dream and enact some of my own. Spending time living one's own non-predictive future, rather based on the very phenomenology of the individual addition, has always been a non-issue in the relative reality. And no, I do not need to bother Albert Einstein to prove, that literary experience has something to do with rocket science free logic. My flowers ''know'', as much as I would like to imagine them to know, and that is a healthy relationship with my potential listeners, readers and some decision makers, that draw themselves into the nature of their own assumptions. On the basis of my garden growing activity I will never assume, that I will become a car racer.

In the evening, I decided to accept my non-participant refusal of the outside reality and sooner than I thought I became an early sleeper and lullaby dreamer. Yes, a nice song makes a huge difference, especially when being listened to on headphones, not too loud, but sometimes more than silent, because we all deserve goosebumbs.

- My, my, my - I said quietly, and still with a smile on my face – I love jazz...

...to be continued...

adjusting content into culture clashes dialogue.

History of language, especially linguistic investigations of culture and language experts, have led to many explorations in the studies of culture, meaning and sense making in content, that even the ancient world knew that, the way we speak, and what we say has a magnificent difference.

''Where verse narrative, which is a form of history and genealogy, is concerned, the same disciplines naturally apply. Growth and change, variation and decoration, are strictly regulated by a respect for the integrity of the material being carried forward. And an oral tradition is retentive, even when the man or woman who carries the record in memory is uncertain of a meaning. Forgetting meanings does not mean the language that conveys them has forgotten." - Michael Schmidt

Correlations between elocution, semiotics and semantics create bridges for more creative communication, and not only in the pure narrative way. Verse narrative, as has been showcased in many important publications form the study of the usage of language, brings us back into innovative thinking in a way, where history revives culture of communication with informative and meaningful content ''entanglement''. From Homer to Stanisław Lem, and all that inspire and fuel our imagination and need to discover the nature of our own way, we see, hear and learn about the world, through communicative content of our contextual adjustments. And there is still more to add into our common dialogue - as the content making makes more and more space for future cognition of all what cannot be forgotten...

...to be continued...

NOTES, JUST LIKE LETTERS - SOUND POETRY MAKING.

In the moment of sympathy and reflected compassion, and in the hall full of noisy individuals, I sat there with the feeling of celebration. My carefully ironed clothing was comfortable enough to let me enjoy the concert, and my seat reminded me of my first classical music experience. Everyone around me was minding their own excitement of their very own musical memories. In moments like that, it is easy to forget the world of economic troubles, and forward dreaming has it righteous strenght. My blending reflections made me realized of the nature of sound more than I could explain – I was participating in timeless symphony, and I knew it all by heart. The hall was preparing for the music, as musicians were getting ready for the spectacle – instruments were almost sighing before being overworked. Some clarinets, trumpets, violins, cellos, drums, oboes and the conductor of the whole orchestra were very busy making more and more to satisfy hungry and very demanding audience. It was great to see it all happening at the front of my own eyes, especially with a thought, that even most daring dreams come true in London.

I used to dream of music, and even in my dreams I could see the beauty of the sound – no, I am afraid I cannot pass the test for being crazy or/and mad, no matter how many times or how long culture makers would wish to culture clash for their misunderstood reasons. Sitting in relative peace of mind, as it is to be said beyond contradicting the meaning and sense making of the quantum minding, I was finally happy to realize my own uniqueness. We all have music inside, just as much as we do realize the happiness of our own conventions. Or maybe perhaps, we, who love music perceive the world in a non conventional way? Who knows, maybe even during a concert hall experience there are some reflections to be made.

Conductor began with a firm gesture, then more dynamic, as the instruments inspired by their musicians enacted symphony of the future – nothing like a movie, more like a poem. Notes, like letters, playfully cheering up faces of the public, and with every single knew movement of the concert I felt more and more open minded. - Fantastic! - I gasped with real joy. In the mind of my previous cultural discoveries I reminded myself, that there must be something else apart from music writing, that inspire science of the sound. Yes, I am happy to not to analyze the music, that suppose to be just listened to, and that is why I decided to coat myself in this beautiful embodiment of tones.

- Music has always been an incredible experience...

...to be continued...

Science in culture dialogue - phenomenological investigations.

History of creative writing is needed not only for research purposes, but also for the demand of the modern world, where what we talk about is the basis for what we feel in content, and what we think about in culture of many language and stereotype interpretations. Culture dialogue initiated by scientific investigations, in tune with clarity in making well-informed non-assuming connotations is a must when we would like to talk with one another, not only with respect for each culture heritage, but aslo for the exchange of knowledge.

Each novelty in science had their own misunderstandings. In the world of Galileo and his scientific investigations we learn what it takes to be part of such a dialogue. It is the unknown with new and unpredictable content, oriented on progress with confidence in thinking about the laws of what it takes to be the part of the universe with erthly connotations. Simplicity in precision makes a groundbreaking discovery, when there is a way to prove it:

''If there were a real proof that the Sun is in the centre of the universe, that the Earth is in the third heaven, and that the Sun does not go round the Earth but the Earth go round the Sun, then we should have to proceed with great circumspection in explaining passages of Scripture which appear to teach the contrary, and rather admit that we did not understand them than declare an opinion to be false which is proved to be true.'' - Hugh of Saint Victor.

Culture, just like science IS part of phenomenology in every aspect of its own domain, and just like Gernot Böhme notices, there are spaces of cultural investigations in the makings of their own knowledge oriented limitations, where open minded attitude towards being capable thinker is the matter of being able to find moments of liberal-oriented decision makings. To be precise in describing creativity as the crucial element of the modern capable thinking we see the world of content making with all what we can find according to the inner states of humane content:

"There is no constant in the organizations of humanum. There is no body, psyche or consciousness a'priori - those humanum do not have any constant structure. Human being is a rather someone who is ''being'' in those humanum states, that enable to distinguish something like so called ''Ich''/''I'', as well as the consciousness or feeling in body; in between those moments there is a competition, that doesn't lead to complete disappearance of any of those states. - Gernot Böhme.

Do we need to be ''humane'' to create ethical and culture responsive communication ?
- I think we do...

… to be continued ...

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